Artist Statement

We do not fully understand the ramifications of globalization. One consequence is the uninhibited exchange of plant and animal organisms across natural boundaries. At times these swaps are deliberate and at other times unintentional, but the result is often the creation of an invasive species.

Any system is interconnected; small changes have huge impact. Within the system that connects humans to nature, we are the vehicle for the destruction of balance. While non-native organisms may provide novel interest and unique beauty, the natural controls that would normally keep them in check are missing. The result is an imbalance in the delicate equilibrium of our ecosystems.

Scientific research on invasive species is at the core of my current work which addresses invasions in aquatic habitats. My work, harnesses the reproductive nature of printmaking to underscore the multiplicity of invasive species. I also employ drawing, and papercutting techniques to create site-specific installations and sculptural paper pieces, forming multi-layered, often large-scale works that employ a bold use of color, texture and form.

Invasive species are not inherently bad. They exist within their native habitats in harmony with other organisms but travel to other ecosystems primarily through human mediated transfers. Relying on the visual language of dichotomy, I create work where viewers are confronted by the destructive organisms and globalized landscapes, they are complicit in generating. In this time of rapid environmental flux, my work confronts a complicated issue.

Bio

April Flanders is a studio artist living and making in the mountains of Western North Carolina. A keen naturalist, her work has been featured in solo and group shows at museums and galleries nationally and internationally, including the Hunter Museum of American Art in Chattanooga, TN, the Atlantic Gallery, in New York, and the Global Print International, in Douro, Portugal. Her work addresses the problem of invasive plants and animals on a global scale using a variety of media including printmaking, painting, drawing and installation.

April’s recent exhibitions include Forward Press, 21st Century Printmaking at the Katzen Museum in Washington DC, Inflection Point, at the Colwell Center in Baltimore, MD and Invasion Zones at the Hunter Museum in Chattanooga, TN. Recent honors include a fellowship at the Virginia Center for Creative Arts in Amherst, VA and winning the Renaissance Graphics award in the 96th International Competition at the Print Center, in Philadelphia, PA. Her work is in many public and private collections, including the Asheville Museum of Science, the Scottsdale Museum of Contemporary Art, and the Colwell Center in Baltimore, MD. April earned a Master of Fine Arts from Arizona State University and she has taught printmaking for fourteen years at various universities nationally and internationally.